After loosing a rather long post about this little set of brass and teak flatware I will cut my losses and simply show off a few images of what is probably my 'most lucky find' of the month. Almost complete, missing only a few spoons (of course, it's always spoons) and in great condition. These were apparently made in the 50-60's in Thailand but I think they could pass for current or old hunting cabin. I can completely see my grandpa eating with those...
I really do love antique brass, and I have even before Martha said it was cool in this month issue of MSL. The shop I bought those from in Park City clearly didn't 'get it' (they had all of those stored in a sad zipploc gallon bag on a back shelf) which was perfect timing for me!
November 06, 2013
Skeleton Keys
A few days ago I mentioned that a collection of 14 antique keys had come to live with me. At the same time we were in dire need of something heatproof to display above our wood stove during the winter months. On a side note I have found that what the stove provides in heat and efficiency it lacks in opportunity for interior decor (!). Any picture frame hung in proximity of the intense rising heat ends up withered and pathetic.
The keys gave me an idea, why not display them up there? they are fireproof after all. Thomas as usual got recruited to build the frame following my inaccurate but firm (according to him!) specifications. He is a good sport really, being that we are both so busy lately. I painted the frame's poplar wood with Valspar Ultra flat Woodlawn Colonial Grey and further waxed it with liming Briwax.
This is the first time I use a little calligraphy to decorate the house, it's a small step, but one none the less... I probably wasted more than 15 tags, but ended up with the desired effect at last. Take a closer look:
October 30, 2013
Keys + Verbena + Ink
The week so far has been a blur of same old, with very little time to create. But this morning's terrible weather gave K and I the perfect excuse to sit down, sip some tea and carve a few eraser stamps. White erasers are limiting because of their petite dimensions. I also struggle with small designs but it is a good challenge no less. Plus I am pretty happy with the end result so it's a win for Wednesday morning.
We tried the design on a brown paper bag in white ink and you will just have to trust us (the bags stayed at K's house): It was very effective. I plan on making sheets of gift wrap with it and procured a gold pigment ink pad this afternoon.
The only sewing of the week took place on Monday, the lemon verbena harvest was so prolific this year that I had to think of something to store it in. In a rush I put together a cheese cloth bag (very unpleasant to serge or sew) and twisted some butcher twine into a rope. The stars were an after thought, as in I tried putting them on after the verbena leaves were in, holding a book for support with one hand and stamping with the other, terrible idea! Sometimes when you do something you know will end badly, but much like a five year old, you have got to see it fall apart, it was one of those times. Human nature?
Finally, Let me share a curious collection of mostly 18th century keys my Tata sent me (MERCI TATA! je les aime et les tripote tout le temps!). This is an example of complete overkill. We were looking for skeleton keys to top gift wraps and instead she found those, all fourteen at once and I suspect not for a song. To find yourself the caretaker of this instant collection, it's a little overwhelming but I should recover no worries (pfffft!).
If time could stretch itself to an extra 10 hours a day, if sleep was optional, I would write an entirely different blog about my love of the used, the old and the ancient. As it stands, I am lucky if I complete one or two rounds of my East Bench "junk store" route a week. When good pickings usually went undocumented, they now appear on instagram @photomatoux under #thrifthaul but these last ten days have been a little too good not to share.
The small washboard and Reed and Barton sugar and cream came out of Savers on 33rd. I am especially pleased with the silverplated as it is EPNS which I collect exclusively unless the provenance is French then it's usually all good. EPNS almost always polishes back to its former glory and you can usually tell on the spot if the back mess is going to shine ever again. If it's ruined you will usually see pitting and corrosion. EPNS pieces are heavier, have nicer curves and generally feel "a cut above" in your hands.
The Kraft box found at The Assistance League will make a perfect mobile calligraphy and stamp carving tray.
My other find, the large mirror above (with glass removed for now) was always going to be a sacré boulot or too much work. But it paid off I think. I lamely lost the before pictures of the original state (you can see a few on instagram) but let's just say that many adornments were pried-off and that Finn learned the word hideous. The piece is solid wood which was painted in Valspar paint+primer super flat Seine. Is Seine code word for Paris Grey? After distressing with nail and hammer, three coats of paint, a careful job with liming wax and a final clear wax polish, I can say voila! It looks almost like a Zinc mirror from Restoration Hardware but for 20 times less. Not bad for the hideous old guy.